A ferocious debut that puts Frank Bill’s southern Indiana on the literary map next to Cormac McCarthy’s eastern Tennessee and Daniel Woodrell’s Missouri Ozarks
Crimes in Southern Indiana is the most blistering, vivid, flat-out fearless debut to plow into American literature in recent years. Frank Bill delivers what is both a wake-up call and a gut punch. Welcome to heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling.
Bill’s people are pressed to the brink—and beyond. There is Scoot McCutchen, whose beloved wife falls terminally ill, leaving him with nothing to live for—which doesn’t quite explain why he brutally murders her and her doctor and flees, or why, after years of running, he decides to turn himself in.
Bill’s southern Indiana is haunted with the deep, authentic sense of place that recalls the best of Southern fiction, but the interconnected stories bristle with the urban energy of a Chuck Palahniuk or a latter-day Nelson Algren and rush with the slam-bang plotting of pulp-noir crime writing à la Jim Thompson. Bill’s prose is gritty yet literary, shocking, and impossible to put down. A dark evocation of the survivalist spirit of the working class, this is a brilliant debut by an important new voice.
Frank Bill is the author of the story collection Crimes in Southern Indiana, one of GQ’s favorite books of 2011 and a Daily Beast best debut of 2011, and the novel Donnybrook. He lives and writes in southern Indiana.