James Wood compares John Jeremiah Sullivan favorably to Tom Wolfe and David Foster Wallace - “he is kinder than the former, and less neurotic than the latter” - and then really gets down into his “storyteller’s gifts” - and later adopts an almost prophetic tone as he touches on the state of the creative essay.
In his review of People Who Eat Darkness, Dwight Garner calls the book “not merely an exemplary piece of reportage but a sustained and quietly profound work of moral inquiry as well.”
“People Who Eat Darkness” is surprisingly soulful, especially in its portrait of Ms. Blackman, a young women who still traveled with a favorite stuffed animal, who read self-help books like “The Rules” and who confided to her diary how she loathed, more than anything else, her sense that “every single part of me from head to toe is completely average.”
The author had hoped to find her alive. He confesses he “dreamed one of the oldest male dreams of all: of being the knight who rides to the dark tower, slays the dragon, frees the missing damsel, and basks forever in the glory.” That being impossible, he’s done something nearly as good. He’s restored her to life in this vivid book.
Another wonderful review of People Who Eat Darkness, this time from Laura Miller, who calls the book “an exceptionally perceptive and nuanced look at a terrible crime, one that put nations, institutions and family members at odds, and often into bitter and toxic conflict.” Read more here.
Check out Nika Knight’s glowing review of Portrait of the Mother as a Young Woman over at Full Stop: “Delius crafts a symphony out of [his protagonist’s anxieties]...The effect of the book’s overall structure is stunning. The final paragraphs, an emotional coda to the crescendo before it, bring us the text’s first and last period. The thousands of preceding commas, echoing Margherita’s thousands of steps, have lent this sudden full stop an astonishing impact. A single piece of punctuation has, it seems, never held such power.”
Friends of the High Line co-founders Joshua David and Robert Hammond sit down with Interview magazine to discuss the genesis of the High Line, an elevated park that runs along abandoned freight lines on Manhattan’s west side.
“The experience of being up on this amazing structure and seeing the city from this very special vantage point—that was the base element of everything we were trying to do,” says David.